The Story Behind the Story: “Voices in the Caves”

When I contemplated writing a story about our 2022 visit to the Dordogne region in southwest France, I made a list of everything I had liked about the area: the food, wine, castles, churches, and ruins, the rolling countryside and rivers, and the layers of history, from prehistoric caves to medieval castles and villages. In addition, we encountered many reminders of the retribution committed by German soldiers during the summer of 1944, following the success of the D-Day invasion.

A quaint stone cottage with a steep, shingled roof is depicted. The structure features a white, wooden door adorned with an iron handle, accompanied by a small window above it. The facade of the cottage includes another window outfitted with a wooden flower box brimming with white flowers. Ivy ascends partially up the wall, adding charm to the scene. In front of the cottage lies a neatly kept grassy lawn, complementing its picturesque appearance.

During our visit, I experienced a strange kinship with the prehistoric families who had lived in the limestone caves and had painted animals on the ceilings—the horses, bison, and stags they hunted for food at the end of an ice age. The caves were cool in temperature and sweet smelling, with ample fresh water and firewood nearby. I could envision living in a cave and raising a family.

Statue of a prehistoric human standing barefoot, holding a slender spear, and clad in a shaggy fur cloak. The figure appears poised as if aiming or hunting. The outfit includes tattered pants. The background features a simple beige wall with a wooden floor.

On a drizzly morning in Sarlat, the market town where we were based, we prowled around the town cemetery, reading the many memorials to members of the Resistance. I cried when I found a monument erected for a local sixteen-year-old boy executed by the Nazis. Too young to fight, he was probably a courier, carrying messages or provisions from his family farm to a local Resistance group. The descendants of residents have long memories of the German atrocities.

Cave art depicting a prehistoric horse in black and ochre tones surrounded by abstract red and orange pigments. The horse features prominent shading, detailed depiction of its mane and tail. Above the horse, there is a faded, irregular shape suggesting either a figure’s head or another abstract form.

In July 1944, money for Resistance operations was running out. Local fighters created a plan to steal a rail shipment of 2.28 billion French francs in 150 burlap sacks. The money was used for guns and ammunition, medical expenses, and food. A few months later, the German army moved north.

The tranquil river captures the vibrant reflection of surrounding autumn foliage, where trees exhibit shades of yellow and green. Sunlight dapples the leaves, producing a serene contrast against the blue sky mirrored in the calm water. Overhanging branches provide a natural frame to this picturesque landscape, enhancing its depth and beauty.

For my story, I created an American protagonist, Kate Carmody, a genealogy librarian, who, with her husband and local guide Bruno, set out to explore a prehistoric cave owned by Bruno’s cousin. A French woman with suspicious motives insists upon accompanying them. Kate’s instincts prove correct as the woman’s unscrupulous actions are revealed.

Image depicts a medieval archway framing a narrow street in a historic town. People are seen walking along the street, which is lined with stone buildings. In the background, there is a church and other structures nestled on a steep cliffside. The area is surrounded by lush greenery under a clear blue sky.

After World War II, the French government supported the preservation of Sarlat and other medieval towns in the area. Sarlat has street markets two days a week, and other than shops, restaurants, and small hotels, the town is completely restored. No gas stations, strip malls, or supermarkets. Dordogne is now a major tourist destination offering river sports, hiking, and cycling, with a superb local cuisine and wine.

Image of an outdoor mobile cheese shop named Cremerie Le Bail. The shop features a wide counter displaying a variety of cheeses, each clearly labeled. Signs above the counter read 'Cremerie Le Bail.' Behind the counter, shelves are stocked with additional dairy products. The shop is situated outdoors, and trees are partially visible in the background.

Martin Walker, author of the Bruno, Chief of Police series, sets his books in the area.

Readers, do you enjoy visiting places you’ve read about in books? Writers, do you set your stories and books in places you’ve visited?

“Voices in the Caves” is in Gone Fishin’, Crime Takes a Holiday, ed. James M. Jackson, 2025.

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This post was originally published at Writers Who Kill